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Sphinx Virtuosi

[The performance] opened with a propulsive, richly hued interpretation...which demonstrated the ensemble’s polish and tonal allure
— The New York Times
 
  • Since 2004, the Sphinx Virtuosi’s concerts have been presented by leading arts organizations in the US, including an annual return to Carnegie Hall – which has become an established highlight of their Fall season. Frequently selling out venues, the ensemble has garnered effusive accolades including from The New York Times that has described the group as "...top-notch...more essential at this moment than ever...a vibrant, assured performance..."; and The Washington Post that wrote “true to their name, the Sphinx Virtuosi call up the vision of an iconic mythological feline with its immeasurable power, unwavering command, and soulful beauty.”

  • Heralded as "...top-notch” (The New York Times) with “...immeasurable power, unwavering command, and soulful beauty” (The Washington Post), the Sphinx Virtuosi is equally diverse in the works the ensemble presents as the artist collaborations. From Denyce Graves to Sweet Honey in the Rock, the ensemble’s breadth of experiences continues to be one of the founding pillars of its continued success.

  • In an effort to highlight Black and Latinx living composers, expand its repertoire, and engage new audiences the ensemble’s commissions works have included major new works from Michael Abels, Terence Blanchard, Valerie Coleman, Xavier Foley, Jimmy Lopez, Jessie Montgomery, Daniel Bernard Roumain, and Carlos Simon.

The Sphinx Virtuosi is a dynamic and inspiring professional self-conducted chamber orchestra and serves as the flagship performing entity of the Sphinx Organization – the leading social justice non-profit dedicated to transforming lives through the power of diversity in the arts. Comprised of 18 accomplished Black and Latinx artists, a critical aim of the Sphinx Virtuosi is to evolve and transform the face of classical music through artistic excellence, pioneering programming, and impassioned community engagement. Its members serve as cultural and diversity ambassadors for audiences and communities around the United States and abroad.

Since 2004, the Sphinx Virtuosi’s concerts have been presented by the leading arts organizations, including annual return visits to Carnegie Hall as an established highlight of the fall season. Frequently selling out venues, the ensemble has garnered effusive accolades including from The New York Times that has described the group as "...top-notch...more essential at this moment than ever...a vibrant, assured performance..."; and The Washington Post that wrote “true to their name, the Sphinx Virtuosi call up the vision of an iconic mythological feline with its immeasurable power, unwavering command, and soulful beauty.”  Their debut album, Songs for Our Times, was released on Deutsche Grammophon in July 2023 and represents the rich history of the Sphinx Organization and the vibrant future of classical music by centering the artistry of extraordinary composers and artistic visionaries of color.

  • Heralded for its kaleidoscopically varied repertoire and bold thematic programming, Sphinx Virtuosi concerts give prominence to historically excluded Black and Latinx composers such as Samuel Coleridge-Taylor, Alberto Ginastera, Coleridge-Taylor Perkinson, Florence Price, Heitor Villa-Lobos, and George Walker. In an effort to expand its repertoire and engage new audiences, the ensemble commissions new works annually. Commissions have included major new works from Michael Abels, Terence Blanchard, Valerie Coleman, Xavier Foley, Ricardo Herz, Jimmy Lopez, Jessie Montgomery, Daniel Bernard Roumain, and Carlos Simon.

    Members of the Sphinx Virtuosi have performed as soloists with major American orchestras, including the New York Philharmonic and the Cleveland, Detroit, Atlanta, Philadelphia, Seattle, and Pittsburgh Symphony Orchestras. Members also hold professional orchestral and academic positions. The Sphinx Virtuosi’s community engagement initiatives regularly extend beyond masterclasses and workshops to members leading DEI initiatives within arts organizations and connecting with other Sphinx programming to further the mission of achieving excellence through diversity. As a bilingual ensemble, these artist-citizens frequently break down existing barriers empowering the artform to connect with the broader community. During the pandemic in 2020/21 the ensemble found creative ways to connect with audiences and communities virtually through performances, panel discussions, masterclasses, Q&A sessions, and more reaching over 30,000 people across 20 organizations.

    The Sphinx Virtuosi has collaborated with major artists such as Terence Blanchard, Denyce Graves, Sweet Honey in the Rock, Damien Sneed, Will Liverman, J’Nai Bridges, and Davóne Tines, among others. Outside of the classical realm, its musicians have also worked with leading international artists such as Beyoncé and Jay-Z, and made high profile appearances including on The Tonight Show Starring Jimmy Fallon and the broadcast of the 2022 Grammy Awards. Their 2023-24 season includes performances for Philadelphia Chamber Music Society, Denver Friends of Chamber Music, Stanford Live, and a return performance at the Isabella Stewart Gardner Museum.

    Sphinx Virtuosi Tours are made possible through the support of Robert F. Smith, JPMorgan Chase, and National Endowment for the Arts.

    July 2023 – Please do not edit without permission.

Videos

 

Programs & Repertoire

 
  • PROGRAM: GENERATIONS

    Quenton Blache: Habari Gani*
    Javier Farias: Abran Paso*
    Adolphus Hailstork: from Sonata da Chiesa
    VI. Dona Nobis Pacem
    VII. Exultate
    Andrea Casarrubios: Herencia*
    *****
    Xavier Dubois Foley: Concertante for Two Double Basses and String Orchestra, “Galaxy”*
    Coleridge Taylor Perkinson: Sinfonietta No. 2, “Generations”

    *new work for Sphinx Virtuosi


    Ay sí,
    it's my turn
    to oh say
    what I see,
    I'm going to sing America!
    ***************
    Then, besides
    They'll see how beautiful I am...
    I, too, am America

    Excerpt from the poem "I, Too, Sing América" by Julia Alvarez. Copyright © 2002 by Julia Alvarez. First appeared in WRITERS ON AMERICA: 15 REFLECTIONS, published by the U.S. Department of State.


    Inspired by the poetry of Langston Hughes and Julia Alvarez, we bring you a program showcasing the beauty and tradition of excellence inherent in classical music created and performed by Black and Latinx composers for many generations. Together, we seek to uplift spirits through sharing the sounds that inspire us and transcend the boundaries of time, history, and struggle. We thank you, our listeners, for embracing the many voices and sounds that elevate our collective humanity.

  • PROGRAM
    LEVI TAYLOR: Daydreaming (A Fantasy on Scott Joplin)*
    SCOTT JOPLIN, arr. Jannina Norpoth, Jessie Montgomery: Treemonisha Overture**
    SAMUEL COLERIDGE TAYLOR: Four Novelletten, Op. 52
    JUANTIO BECENTI: Hané for String Quartet**
    TERESA CARREÑO: Serenade for Strings, IV. Finale, Tempo di Marcia
    DERRICK SKYE: American Mirror Part One**
    CURTIS STEWART: Drill*

    Featuring Britton-René Collins, percussion

    American Form/s is a musical tapestry depicting the many sounds of American classical music. Vibrant, varied, storied, and new, the self-conducted string orchestra Sphinx Virtuosi takes audiences on a journey through classically-framed infusions of soul, bluegrass, jazz, blues, and elements of rag. Works range from reimaginings of Joplin's joyous landscapes to the complex rhythms of Curtis Stewart and brilliant influences of immigrant composers like Teresa Carreño. Experience the intricate harmonies and world influences of Derrick Skye's writing, as well as modern interpretations of soul-stirring spirituals and more in this program carefully and collaboratively curated to celebrate the richness of the American musical landscape.

    As an emerging soloist to watch, percussionist Britton-René Collins embodies the artistry and passion of contemporary percussion performance. A winner of the 2020 Concert Artists Guild Victor Elmaleh Competition, Britton-René has dedicated her art to shaping a more diverse and inclusive community for all musicians. A Grand Prize-winner of the 2022 Yamaha Young Performing Artists Competition and the 2021 Chicago International Music Competition, Britton-René has performed as a soloist in the United States, Canada, and Europe. She has made several concerto appearances, including with the Grammy Award-winning Orpheus Chamber Orchestra, the Valdosta Symphony, and the Meridian Symphony.

    * denotes commissioned by SV
    ** denotes arranged for SV

    Program order is subject to change.

  • PROGRAM

    XAVIER FOLEY: Ev’ry Voice
    JOSE WHITE: La Bella Cubana
    JESSIE MONTGOMERY: Banner OR New Commission
    WILLIAM GRANT STILL: Suite for Violin and Cello**
    ****
    NKEIRU OKOYE OR NOKUTHULA NGWENYAMA: A Vision for Peace*
    ADOLPHUS HAILSTORK: Sonata da Chiesa
    MANUAL PONCE: Estrellita
    ALBERTO GINASTERA: Concerto For Strings, Op. 33 IV. Finale

    * denotes commissioned by SV

    ** denotes arranged for SV

 

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