Recognized for its virtuosity, exuberant performance style, and often-daring repertory choices, over the past twenty-five years the Pacifica Quartet has achieved international recognition as one of the finest chamber ensembles performing today. Named the quartet-in-residence at Indiana University’s Jacobs School of Music in March 2012, the Pacifica was previously the quartet-in-residence at the Metropolitan Museum of Art and received a Grammy Award for Best Chamber Music Performance. In 2017, the Pacifica Quartet was appointed to lead the Center for Advanced Quartet Studies at the Aspen Music Festival and School.

Formed in 1994, the Pacifica Quartet quickly won chamber music’s top competitions, including the 1998 Naumburg Chamber Music Award. In 2002 the ensemble was honored with Chamber Music America’s Cleveland Quartet Award and the appointment to Lincoln Center’s The Bowers Program (formerly CMS Two), and in 2006 was awarded a prestigious Avery Fisher Career Grant. Also in 2006 the Quartet was featured on the cover of Gramophone and heralded as one of “five new quartets you should know about,” the only American quartet to make the list. And in 2009, the Quartet was named “Ensemble of the Year” by Musical America.

The Pacifica Quartet has carved a niche for itself as the preeminent interpreter of string quartet cycles, harnessing the group’s singular focus and incredible stamina to portray each composer’s evolution, often over the course of just a few days. Having given highly acclaimed performances of the complete Carter cycle in San Francisco, New York, Chicago, and Houston; the Mendelssohn cycle in Napa, Australia, New York, and Pittsburgh; and the Beethoven cycle in New York, Denver, St. Paul, Chicago, Napa, and Tokyo (in an unprecedented presentation of five concerts in three days at Suntory Hall), the Quartet presented the monumental Shostakovich cycle in Chicago, New York, Montreal and at London’s Wigmore Hall. The Quartet has been widely praised for these cycles, with critics calling the concerts “brilliant,” “astonishing,” “gripping,” and “breathtaking.” In the 2018-19 season, the Pacifica Quartet continues its exploration of the Beethoven cycle at the National Arts Centre (Ottawa) and for the Portland Friends of Chamber Music and the Shostakovich cycle for Chamber Music San Francisco and Skidmore College.

Other season highlights include performances at Shriver Hall with Marc-André Hamelin, a Florida tour together with Sharon Isbin, and appearances on North America’s major chamber-music series, including concerts in Chicago, Dallas, Detroit, Kansas City, and Vancouver.

An ardent advocate of contemporary music, the Pacifica Quartet commissions and performs many new works including those by Keeril Makan and Shulamit Ran, the latter in partnership with the Music Accord consortium, London’s Wigmore Hall, and Tokyo’s Suntory Hall. The work – entitled Glitter, Doom, Shards, Memory – had its New York debut as part of the Chamber Music Society at Lincoln Center series.

In 2008 the Quartet released its Grammy Award-winning recording of Carter’s quartets Nos. 1 and 5 on the Naxos label; the 2009 release of quartets Nos. 2, 3, and 4 completed the two-CD set. Cedille Records recently released the third of four volumes comprising the entire Shostakovich cycle, along with other contemporary Soviet works, to rave reviews: “The playing is nothing short of phenomenal.” (Daily Telegraph, London) Recent projects include recording Leo Ornstein’s rarely-heard piano quintet with Marc-André Hamelin with an accompanying tour, the Brahms piano quintet with the legendary pianist Menahem Pressler, and the Brahms and Mozart clarinet quintets with the New York Philharmonic’s principal clarinetist, Anthony McGill.

The members of the Pacifica Quartet live in Bloomington, IN, where they serve as quartet-in-residence and full-time faculty members at Indiana University’s Jacobs School of Music. Prior to their appointment, the Quartet was on the faculty of the University of Illinois at Champaign-Urbana from 2003 to 2012, and also served as resident performing artist at the University of Chicago for seventeen years.

The Pacifica Quartet is endorsed by D’Addario and proudly uses their strings.

For more information on the Quartet, please visit www.pacificaquartet.com.

June 2018 – Please do not edit without permission.

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The Sydney Morning Herald

June 19, 2017

Pittsburgh Post-Gazette

November 11, 2014

Chicago Classical Review

January 18, 2016

The New York Times

November 9, 2014


The Pacifica has developed a four-program project highlighting living composers who are also virtuoso performers in their own right. The project features the Pacifica collaborating in individual programs together with the clarinetist/composer Jorg Widmann, pianist/composer Gabriela Lena Frank, violist/composer Brett Dean, and the pianist/composer Marc-André Hamelin.  Each program will feature a work by the composer for their own instrument plus quartet, one they’ve written for just quartet, and a complimentary work by a historical composer that has influenced his or her work.



Julia Wolfe has written a cello quintet called “Splendid Hopes” for the Pacifica Quartet together with the cellist Johannes Moser. The work draws its inspiration from the Schubert cello quintet, and can be programmed together with the Schubert to make up a full concert.

Click here to listen to a recording from the Wolfe’s premiere performance.



After first teaming up at the Aspen Music Festival, the Pacifica Quartet and the iconic guitarist Sharon Isbin  – who has been called “one of the best guitarists in the world” (Boston Globe)  – were eager to perform together again, and the fivesome has been thrilling audiences ever since. Following their success on the road, these Grammy Award-winning artists will be teaming up to record the following program for Cedille Records in 2019:

Turina: La Oracion del Torero, Op. 34
Vivaldi: Concerto in D major for guitar and strings, RV 93
Castelnuovo-Tedesco: Guitar Quintet in F major, Op. 143
Francisco Tarrega: Capricho árabe
Boccherini: Guitar Quintet No. 4 in D major, G. 448

Program Choices

2019-2020 Program Choices

Program I
Bartók: Quartet No. 1
David Dzubay: Commission
Beethoven: Quartet in F major, Op. 135

Program II
Beethoven: Quartet in D major, Op. 18, No. 3
Shostakovich: Quartet No. 1
Mendelssohn: Quartet in F minor, Op. 80

Program III
Shostakovich: Quartet No. 7
Shulamit Ran: Quartet No. 3, “Glitter, Shards, Doom, Memory”
Beethoven: Quartet in B-flat major, Op. 130, with the Grosse Fuge, Op. 133

2020-2021 Program Choices

Program I: Women’s Suffrage (1920): A Musical Retrospective
Amy Beach: String Quartet, Op. 89 (1929)
Ruth Crawford Seeger: String Quartet (1931)
Jennifer Higdon: Voices (1993) commissioned by the Pacifica Quartet
Florence Price: Andante moderato from Quartet in G major (1929)
Fanny Mendelssohn: String Quartet in E-flat major

Program II
Haydn: Quartet in F major, Op. 77, No. 2
Carter: Quartet No. 2
Beethoven: Quartet in F major, Op. 59, No. 1, “Razumovsky”

Program III
Beethoven: Quartet in G major, Op. 18, No. 2
Shostakovich: Quartet No. 9 in E-flat major, Op. 117
Schoenberg: Quartet in D major

Program IV
Mendelssohn: Quartet in A minor, Op. 13
Ligeti: Quartet No. 1
Beethoven: Quartet in F major, Op. 135 


Program I
Quartet in D major (1897)
Quartet No. 1 (1905)
Quartet No. 2 (1908) – with mezzo-soprano TBD

Program II
Quartet No. 3 (1927)
Quartet No. 4 (1936)
Verklärte Nacht (1899) – with Larry Dutton, viola, and Paul Watkins, cello