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Orion Weiss

Weiss has both powerful technique and exceptional insight, and brought an almost sculptural presence and weight to the music.
— The Washington Post
 
  • With a warmth to his playing that outwardly reflects his engaging personality, Weiss has dazzled audiences with his passionate, lush sound and performed with dozens of orchestras in North America including the Chicago Symphony, Boston Symphony, Los Angeles Philharmonic, and New York Philharmonic.

  • In March 2022, Orion released a new album, Arc I: Granados, Janáček, Scriabin, on First Hand Records. Arc I is the inaugural album of an ambitious three-part series and features important works for solo piano from the frantic years of 1911-1913, the precipice before World War I. The three musical stories on Arc I - Granados' Goyescas, Janáček's In the Mists, and Scriabin's Piano Sonata No. 9, "Black Mass" - each struggle with the same impossible awareness of what was coming for the world, and in doing so, plunge further into modernity and despair.

    Of his Arc album series, Orion Weiss explains, "The arc of this recital trilogy is inverted, like a rainbow's reflection in water. Arc I's first steps head downhill, beginning from hope and proceeding to despair. The bottom of the journey, Arc II, is Earth's center, grief, loss, the lowest we can reach. The return trip, Arc III, is one of excitement and renewal, filled with the joy of rebirth and anticipation of a better future."

  • Also known for his affinity and enthusiasm for chamber music, Weiss performs regularly with violinists Augustin Hadelich, William Hagen, Benjamin Beilman, James Ehnes, and Arnaud Sussman; pianist Shai Wosner; cellist Julie Albers; and the Ariel, Parker, and Pacifica Quartets.

One of the most sought-after soloists and chamber music collaborators of his generation, Orion Weiss is widely regarded as a “brilliant pianist” (The New York Times) with “powerful technique and exceptional insight” (The Washington Post). With a warmth to his playing that outwardly reflects his engaging personality, Weiss’s “relentless virtuosity” (Classical Voice America) ) and “head-spinning range of colors” (Chicago Tribune) have dazzled audiences around the world. He has performed with all of the major orchestras of North America, including the Chicago Symphony Orchestra, the Pittsburgh Symphony, the Cleveland Orchestra, the Boston Symphony Orchestra, the Los Angeles Philharmonic, and the New York Philharmonic.

Highlights of Weiss’s recent seasons include performances at London’s Wigmore Hall; a return to the Chicago Symphony Orchestra, led by Michael Tilson Thomas; his debut with the National Symphony Orchestra, led by Ken-David Masur; a live-stream with the Minnesota Orchestra; and performances of Beethoven's Triple Concerto with the Cleveland Orchestra and the Saint Paul Chamber Orchestra. Recently, Weiss was featured in performances in Tokyo’s Kioi Hall and Opera City Concerto Hall, Taiwan’s National Concert Hall, Hong Kong’s Premiere Performances, and Next Generation Arts, as well as at the Edinburgh International Festival and the Bergen International Festival in Norway.

  • As a recitalist and chamber musician, Weiss has appeared at venues and festivals including the Ravinia Festival, the Aspen Music Festival, Tanglewood, the Kennedy Center, Zankel Hall at Carnegie Hall, Alice Tully Hall and David Geffen Hall at Lincoln Center, the Kennedy Center, Wigmore Hall, the Mariinsky Theatre (St. Petersburg), Toronto’s Royal Conservatory of Music, the Edinburgh International Festival, the Schubert Club, Hong Kong Premiere Performances, Seattle Chamber Music Festival, the Lucerne Festival, Denver Friends of Chamber Music, Charlotte Symphony, Santa Rosa Symphony, Santa Fe Chamber Music Festival, Newport Classical, Chamber Music Society of Lincoln Center, the Kennedy Center’s Fortas Series, the 92nd Street Y, and at summer music festivals including Bard, Santa Fe, Bridgehampton, Bravo! Vail, Sunriver, Sun Valley, and Grand Teton, among many others. Known for his affinity for chamber music, Weiss performs regularly with violinists James Ehnes, Augustin Hadelich, and William Hagen; pianists Michael Stephen Brown and Shai Wosner; and the Ariel, Parker, and Pacifica Quartets, among many others.

     In March 2022, First Hand Records released the first album of Weiss’s Arc Trilogy – Arc I: Granados, Janáček, Scriabin – a recording exploring the omens and tension of the period preceding World War I. Gramophone Magazine praised the album as “expansive, colorful, and texturally varied.” Arc II, featuring the music of Ravel, Brahms, and Shostakovich, was released in November 2022, and Arc III, featuring works by Brahms, Schubert, Debussy, Dohnányi, Ligeti, and Talma, was released in February 2025. The final album of the trilogy, Arc III was described as a “a worthy successor to the distinguished predecessors” by Gramophone, a “canvas of delight, painted with crisp articulation and precise timing” by American Record Guide, and “smart, timely programming, dispatched with insight and care” by The Arts Fuse.

     Weiss can be heard on the Naxos, Telos, Bridge, First Hand, Warner Classics Yarlung, Cedille and Artek labels on recordings such as The Piano Protagonists with The Orchestra Now, led by Leon Botstein; a disc of Scarlatti Sonatas for Naxos; a solo recital disc of Bartók, Dvorák, and Prokofiev; Brahms Sonatas with violinist Arnaud Sussmann; a solo recital album of J.S. Bach, Scriabin, Mozart, and Carter; and a recital disc with violinist Augustin Hadelich, which won the Opus Klassik Best Chamber Music Recording 2025 award. In addition, Weiss has released a recording of Christopher Rouse’s Seeing, a recording of Korngold’s Left Hand concerto, other works with Leon Botstein and TON, and recordings of Gershwin’s complete works for piano and orchestra with the Buffalo Philharmonic Orchestra and JoAnn Falletta. Over recent years, Weiss has also raised his profile through video, assembling a broad and growing YouTube videography that includes Bach’s Goldberg Variations, the Op. 39 Rachmaninoff etudes, and Grieg’s Lyric Pieces, among many others. Soon to be released recordings include the Korngold Piano Quintet with the Pacifica Quartet and an all-Debussy CD, which includes the complete Études along with the rarely performed La Boîte á joujoux.

     In the summer of 2011, Weiss made his debut with the Boston Symphony Orchestra at Tanglewood as a last-minute replacement for Leon Fleisher. In recent seasons, he has also performed with the San Francisco Symphony, Philadelphia Orchestra, Pittsburgh Symphony, Toronto Symphony Orchestra, National Arts Centre Orchestra, and Orpheus Chamber Orchestra, and in summer concerts with the New York Philharmonic at both Lincoln Center and the Bravo! Vail Valley Festival. In 2005, he toured Israel with the Israel Philharmonic Orchestra, conducted by Itzhak Perlman.

     Weiss’s list of awards includes the Classical Recording Foundation’s Young Artist of the Year, Gilmore Young Artist Award, an Avery Fisher Career Grant, the Gina Bachauer Scholarship at The Juilliard School, and the Mieczyslaw Munz Scholarship. He won the 2005 William Petschek Recital Award at Juilliard and made his New York recital debut at Alice Tully Hall that April. Also in 2005, Weiss made his European debut in a recital at the Musée du Louvre in Paris. From 2002-2004, he was a member of Lincoln Center’s The Bowers Program (formerly CMS Two).

     A native of Lyndhurst, Ohio, Weiss attended the Cleveland Institute of Music’s Young Artist Program through high school, where he studied with Paul Schenly, Daniel Shapiro, and Sergei Babayan. His other teachers include Joseph Kalichstein, Jerome Lowenthal, Kathryn Brown, and Edith Reed. In February 1999, Weiss made his Cleveland Orchestra debut performing Liszt’s Piano Concerto No. 1. The next month, with less than 24 hours notice, Weiss stepped in to replace André Watts for a performance of Shostakovich’s Piano Concerto No. 2 with the Baltimore Symphony Orchestra and was immediately invited to return for a performance of the Tchaikovsky Piano Concerto that October. In 2004, he graduated from the Juilliard School, where he studied with Emanuel Ax. Learn more: www.orionweiss.com.

    August 2025 - Please do not edit without permission. 


Videos

 
 

Programs & Repertoire

 
  • Albéniz/Halffter:
    Rapsodia español

    Johann Sebastian Bach:
    Piano Concerto No. 1 in D minor, BWV 1052
    Piano Concerto No. 3 in D major, BWV 1054

    Béla Bartók:
    Piano Concerto No. 2 in G major
    Piano Concerto No. 3 in E major

    Samuel Barber:
    Piano Concerto, Op. 38

    Ludwig van Beethoven:
    Piano Concerto No. 1 in C major, Op. 15
    Piano Concerto No. 2 in B-flat major, Op. 19
    Piano Concerto No. 3 in C minor, Op. 37
    Piano Concerto No. 4 in G major, Op. 58
    Piano Concerto No. 5 in E-flat major, Op. 73 ,“Emperor”
    Choral Fantasy in C minor, Op. 80

    Johannes Brahms:
    Piano Concerto No. 1 in D minor, Op. 15
    Piano Concerto No. 2 in B-flat major, Op. 83

    Frédéric Chopin:
    Piano Concerto No. 1 in E minor, Op. 11
    Piano Concerto No. 2 in F minor, Op. 21, Variations on “Là ci darem la mano”

    Aaron Copland:
    Piano Concerto

    Ernst Dohnányi:
    Variations on a Nursery Song, Op. 25

    Manuel de Falla:
    Nights in the Gardens of Spain

    George Gershwin:
    Piano Concerto in F major
    “I Got Rhythm” Variations
    Rhapsody No. 2
    Rhapsody in Blue

    Edvard Grieg:
    Piano Concerto in A minor, Op. 16

    Franz Joseph Haydn:
    Piano Concerto No. 11 in D major

    Aram Khachaturian:
    Piano Concerto in D-flat major, Op. 38

    Erich Korngold:
    Concerto for the Left Hand in C-sharp major, Op. 17

    Lowell Liebermann:
    Piano Concerto No. 2, Op. 36

    Franz Liszt:
    Piano Concerto No. 1 in E-flat major, S. 124
    Piano Concerto No. 2 in A major, S. 125

    Edward MacDowell:
    Piano Concerto No. 2 in D minor, Op. 23

    Bohuslav Martinu:
    Piano Concerto No. 4, H. 358 “Incantation”

    Felix Mendelssohn:
    Piano Concerto No. 1 in G minor, Op. 25

    Wolfgang Amadeus Mozart:
    Piano Concerto No. 12 in A major, K. 414
    Piano Concerto No. 17 in G major, K. 453
    Piano Concerto No. 20 in D minor, K. 466
    Piano Concerto No. 21 in C major, K. 467
    Piano Concerto No. 23 in A major, K. 488
    Piano Concerto No.9 in E-flat major, K. 271
    Piano Concerto No. 19 in F major, K. 459
    Piano Concerto No.24 in C minor, K. 491
    Piano Concerto No.25 in C major, K. 503,
    Piano Concerto No. 27 in B-flat major, K. 595
    Rondo in D major, K. 485

    Francis Poulenc:
    Piano Concerto in C-sharp minor, FP 146

    Sergei Prokofiev:
    Piano Concerto No. 3 in C major, Op. 26
    Piano Concerto No. 5 in G major, Op. 55

    Sergei Rachmaninoff
    Piano Concerto No. 2 in C minor, Op. 18
    Piano Concerto No. 3 in D minor, Op. 30
    Rhapsody on a Theme of Paganini, Op. 43

    Maurice Ravel
    Piano Concerto in G major
    Concerto in D major for the Left Hand

    Nikolai Rimsky-Korsakov:
    Piano Concerto in C-sharp minor, Op. 30

    Christopher Rouse:
    Seeing

    Camille Saint-Saëns:
    Piano Concerto No. 2 in G minor, Op. 2
    Piano Concerto No. 5 in F major, Op. 103

    Arnold Schoenberg:
    Piano Concerto, Op. 42

    Robert Schumann:
    Piano Concerto in A minor, Op. 54

    Erwin Schulhoff:
    Piano Concerto No. 1, Op. 11

    Alexander Scriabin:
    Piano Concerto in F-sharp minor, Op. 20

    Dimitri Shostakovich:
    Concerto No. 1 in C minor for Piano, Trumpet, and String Orchestra, Op. 35
    Piano Concerto No. 2 in F major, Op. 102

    Richard Strauss:
    Burleske in D minor

    Igor Stravinsky:
    Concerto for Piano and Wind Instruments

    Pyotr Tchaikovsky:
    Piano Concerto No. 1 in B-flat minor, Op. 23

 

 Projects