ENSEMBLE · STRING QUARTET
Dover Quartet
2x Grammy
Nominated recordings — Beethoven & Schumann Collaborators
Emanuel Ax · Edgar Meyer · Marc-André Hamelin Curtis Institute of Music
Faculty Members ABOUT
Praised for its “sublime playing” by The New York Times, the Dover Quartet has earned a place among the defining string quartets of its generation. Its performances unite extraordinary depth, precision, and power with the “full and glowing sound” admired by BBC Music Magazine, which named it one of the greatest string quartets of the last 100 years.
The Dover Quartet’s 2026–27 season brings the ensemble to leading stages and series across the country, including Chamber Music Northwest, the National Gallery of Art, Vivo Performing Arts, the Philadelphia Chamber Music Society, and Cal Performances. The season also includes collaborations with Edgar Meyer, Michelle Cann, and Marc-André Hamelin.
The Quartet enters its next era with renewed purpose. Following first violinist Joel Link’s 2025 appointment as Concertmaster of The Cleveland Orchestra, where he holds the Blossom-Lee Concertmaster Chair, the Quartet reaffirmed its commitment to continuing together in its current configuration and to performing chamber music at the highest level, without compromise. Across the ensemble, the members’ individual careers also encompass roles with the Boston Symphony Orchestra and the Escher Quartet, as well as extensive work in chamber music and teaching. These distinct musical lives deepen their shared work, and the Dover remains a central artistic commitment for all four musicians.
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At the center of the Quartet’s recent work is Woodland Songs, released in 2025 on Curtis Studio. The album features the world-premiere recording of Abokkoli’ Taloowa’ (Woodland Songs), commissioned by the Quartet from Chickasaw composer Jerod Impichchaachaaha’ Tate, and Tate’s string-quartet orchestration of Rattle Songs by Indigenous singer-songwriter Pura Fé. Dvořák’s “American” Quartet completes an album that illuminates connections among Indigenous traditions and American musical life — a story profiled by NPR Music.
The Quartet’s acclaimed discography includes two GRAMMY-nominated recording projects: the three-volume Beethoven Complete String Quartets for Cedille Records and The Schumann Quartets for Azica Records. The Strad praised the Beethoven cycle as “meticulously balanced, technically clean-as-a-whistle and intonationally immaculate.” The Quartet’s distinctions include a sweep of all prizes at the 2013 Banff International String Quartet Competition, the Avery Fisher Career Grant, and Chamber Music America’s Cleveland Quartet Award.
The Dover Quartet’s artistic identity is rooted in a living tradition of American quartet playing, passed directly from one generation of musicians to the next. Formed at the Curtis Institute of Music in 2008 and further shaped by intensive study at Rice University’s Shepherd School of Music, the Quartet worked closely with Shmuel Ashkenasi, James Dunham, Norman Fischer, Kenneth Goldsmith, Joseph Silverstein, Arnold Steinhardt, Michael Tree, and Peter Wiley. Through these relationships, the Dover developed deep connections to the traditions of the Guarneri, Cleveland, and Vermeer quartets.
In 2020, the Dover was named the inaugural Penelope P. Watkins Ensemble in Residence at Curtis, establishing a new model that brought together teaching, performance, and technology. The Quartet’s members continue their relationship with Curtis as faculty members, helping to pass the traditions that shaped them to a new generation of chamber musicians. The Quartet takes its name from Dover Beach by fellow Curtis alumnus Samuel Barber.
PRESS & REVIEWS
What the critics say
“One of the greatest quartets of the last 100 years”
— BBC Music Magazine
“Sublime playing”
— The New York Times
“No-holds-barred playing of the highest calibre”
— South China Morning Post
“Meticulously balanced, technically clean-as-a-whistle and intonationally immaculate”
— The Strad
Discography
Recordings
VIDEOS
Videos
2026-27
Programs & Repertoire
Program One
September 2026 – January 2027
- Mozart Quartet No. 17 in B-flat major, K. 458 (“The Hunt”)
- Brahms Quartet No. 3 in B-flat major, Op. 67
- Intermission
- Dvořák Quartet No. 11 in C major, Op. 61, B. 121
Alternate opening work: Pura Fé, Rattle Songs (orch. Jerod Impichchaachaaha’ Tate).
Program Two
February – June 2027
- Grieg Quartet No. 1 in G minor, Op. 27
- Sibelius Quartet in D minor, “Voces Intimae,” Op. 56
- Intermission
- Brahms String Quartet in C minor, Op. 51, No. 1
Alternate opening work: Mozart, Quartet No. 17 in B-flat major, K. 458 (“The Hunt”).
Program One
All Mendelssohn
- Mendelssohn String Quartet No. 1 in E-flat major, Op. 12
- Mendelssohn String Quartet No. 2 in A minor, Op. 13
- Intermission
- Mendelssohn String Quartet No. 5 in E-flat major, Op. 44, No. 3
Program Two
- Haydn String Quartet in D major, Op. 71, “Apponyi,” No. 2, Hob. III:70
- Rózsa String Quartet No. 1, Op. 22
- Intermission
- Beethoven String Quartet No. 12 in E-flat major, Op. 127
Program Three
- Barber Original final movement from String Quartet in B minor, Op. 11
- Mendelssohn String Quartet No. 2 in A minor, Op. 13
- Intermission
- Beethoven String Quartet No. 12 in E-flat major, Op. 127
Program Four
- Haydn String Quartet in D major, Op. 71, “Apponyi,” No. 2, Hob. III:70
- Gershwin “Lullaby”
- Barber Original final movement from String Quartet in B minor, Op. 11
- Intermission
- Mendelssohn String Quartet No. 5 in E-flat major, Op. 44, No. 3
On Stage
Featured Projects
Edgar Meyer & Dover Quartet
String Quartet & Double Bass
Double bassist and composer Edgar Meyer joins the Dover Quartet for a program built around his own chamber music, framed by Mozart and Mendelssohn. Meyer’s Quintet for Strings and Two Duets for Cello and Bass sit alongside Mozart’s Divertimento in D major, K. 136, and Mendelssohn’s Quartet No. 6 in F minor, Op. 80 — pairing Meyer’s genre-crossing voice with two pillars of the string repertoire.
Woodland Songs
String Quartet
Released in 2025 on Curtis Studio, Woodland Songs features the world-premiere recording of Abokkoli’ Taloowa’ (Woodland Songs), commissioned by the Dover Quartet from Chickasaw composer Jerod Impichchaachaaha’ Tate, alongside Tate’s string-quartet orchestration of Rattle Songs by Indigenous singer-songwriter Pura Fé and Dvořák’s “American” Quartet — an album illuminating connections among Indigenous traditions and American musical life.