Project Blog
What would America look like if we heard from the women whose stories have too often gone untold?
Letters to America is a multi-movement work for soprano and orchestra that offers a fresh, emotionally charged perspective on the American narrative. Created by composer Brittany J. Green and soprano Karen Slack, the project explores the country's founding principles and historic documents through the lens of personal letters and texts gathered from women today. The result is a moving musical journey that speaks to our shared history and the power of individual voice.
Drawing on sources ranging from the Declaration of Independence to contemporary legal decisions, Letters to America invites audiences to reflect on how the American story has been written—and who has been asked to carry it forward.
Developed in partnership with the American Composers Orchestra, the work offers performance and engagement opportunities tailored to orchestras and communities across the country.
Cantus Vocal Ensemble and Imani Winds come together in a powerful joint concert centered around the theme of Ancestry, celebrating the rich, diverse heritages of both ensembles. Through a blend of captivating story and song, the concert explores the deeply rooted connections to culture, history, and identity. Cantus, known for their lush, expressive vocals, pairs with Imani Winds, a dynamic ensemble celebrated for their vibrant sound, to bring to life a repertoire that spans centuries and continents. Each piece highlights the unique traditions and stories of their individual backgrounds, weaving together a musical tapestry that honors the past while embracing the shared humanity of the present. The program will include a commissioned work for Cantus and Imani Winds.
At the convergence of two significant anniversaries in the 26-27 season, America’s 250th (2026) and the 200th of Beethoven’s death (2027), Revolutionary Angels is a concert cycle that celebrates the works of pioneering individuals who have successfully overcome adversity to model for our time Lincoln’s vision of becoming “Better Angels of Our Nature”.
Karen Slack stands at the forefront of classical music, bringing powerful narratives to the concert stage through her artistry, advocacy, and collaborations. Fresh off her Grammy win for Beyond the Years: Unpublished Songs of Florence Price, Slack continues to shape the future of vocal music with projects that illuminate overlooked histories and celebrate resilience, identity, and artistic expression.
Her award-winning album with pianist Michelle Cann has unearthed a treasure trove of Florence Price’s unpublished songs, amplifying the voice of a pioneering composer. In November 2026, the duo will take this repertoire on tour, pairing Price’s works with pieces by Ravel and Schubert in a recital program that bridges past and present. This tour represents Slack’s commitment to honoring Black composers while championing the timeless beauty of classical song.
Why is it that we can recall the lyrics and melody of a song from our childhood, but we struggle to find our keys in the morning, or find ourselves unable to remember peoples’ names? Time and age can cause organized memories to gradually become a maze of fragments, but music often remains the one thing that helps us to remember who we are. As our memories fade, and life is transfigured for everyone around us, is music the final conduit for our memories, and the final connection to our past? In Wanting Memories, Cantus explores the unique and enduring relationship between music and memory in all of our lives. Through selections that include timeless tunes like "Over the Rainbow" and "What a Wonderful World", and anchored by Ysaÿe M. Barnwell’s "Wanting Memories", this performance traverses the realms of nostalgia and family, loss and love, grief, laughter, fear and hope.
Fleur Barron, Anthony McGill and Gloria Chien are excited to offer a program on the theme of “Heritage”, featuring works composed or arranged expressly for their trio. One centerpiece is “Gulistan”, a joyful and poignant 20-minute cycle by Iranian-American composer Kian Ravaei (b.1999), based on Azerbaijani, Persian, American and English folk music. Another is a new arrangement of Brahms op.91 by Ravaei – heard for the first time with clarinet! Other major voices on the program include Florence Price, in a selection of 4 songs for trio, and arrangements of Nina Simone songs – a musical idol for all three performers -- showcasing the trio’s versatility across diverse styles. Rounding out the program are commissions by Valerie Coleman (b.1970) exploring connections between the Harlem Renaissance and France, Gabriel Kahane (b.1981), and a dramaturgical piece by Alex Ho (b.1997).
The Nu Deco Experience is a groundbreaking program designed to bring the innovative spirit of Miami's Nu Deco Ensemble to symphony orchestras across the country. This unique initiative features members of our acclaimed rhythm section alongside our production team, collaborating directly with orchestras to create a transformative musical experience.The Nu Deco Experience showcases Maestro Jacomo Bairos leading a program of signature Nu Deco repertoire, renowned for its genre-blending artistry and vibrant energy, while also amplifying the host orchestra to new sonic heights, replicating the electrifying atmosphere of Nu Deco's Miami performances and fostering a shared sense of creativity and excitement that redefines the concert experience.
“Talent & Phoenix” is a large-scale song cycle (40-50 minutes) that will examine recent, catastrophic wildfires in Oregon from a number of lenses.
Gabriel's Guide to the 48 States is a musical journey through America, blending Gabriel Kahane's music with historical texts from the 1930s American Guide Series. This 40-minute song cycle takes audiences on a road trip from Southern California to New York City.
In this 60-minute chamber opera, commissioned by the Japan Society, Pulitzer Prize-winning composer David Lang combines and reimagines three texts by iconic Japanese novelist Ryunosuke Akutagawa. The result is a stunning and haunting monodrama, note to a friend, addressing our eternal human fascinations with death, love, family and suicide.
Photo credit: Lynne Harty
A new kind of commission project - at its core will be the musical commission of a new Concertante - a 15-20 min concerto for four brilliant and trailblazing principals of major US orchestras + chamber orchestra: Titus Underwood, Anthony McGill, Demarre McGill, and Andrew Brady. The work will be written by Jasmine Barnes and is meant to be a dynamic new addition to the repertoire, celebrating these unique artists and tailored to their artistry.
New work by acclaimed concert and film composer Tamar-kali (Mudbound) will feature soprano Karen Slack and the Miró Quartet, setting texts centered in the inspirational poetry of women of the Harlem Renaissance. Tamar-kali hopes to pay homage to the music and poetry of that time, bringing to the fore her own unique voice as a contemporary composer whose work is grounded across contemporary pop, classical and film music genres.
Photo credit: Matt Murphy
The Miró and Isidore Quartets will be touring together for a limited period in the 2025/26 season. The program will close with Mendelssohn’s iconic Octet to celebrate the 200th anniversary of when the work was composed the autumn of 1825.
Photo credit: Jiyang Chen
As part of its 20th anniversary season, the Ariel Quartet teams up with Alisa Weilerstein — the superstar cellist and their longtime friend and collaborator. The program will include a new cello quintet they are commissioning from the rising young composer Joseph Hallman, who has previously written works for Weilerstein.
Celebrating the poet Rainer Maria Rilke and composer Maurice Ravel, this new project features the Parker Quartet in a staged performance with actors.
The Attacca Quartet presents a special collaboration with the composer Caroline Shaw.
The Miró Quartet is embarking on a new performance and recording project with Lara Downes.
Photo credit: Max Barrett
I’ve known Nathan Schram of Attacca Quartet for almost a decade; he performed in the production of The Ambassador at BAM, and is a deeply soulful musician and person.
Photo credit: David Goddard
A "Rendezvous with Benny” is an extension of the Miró Quartet's Archive Project and celebrates the artistry of Benny Goodman centered particularly on the relationship between Benny and the Budapest Quartet.
Rachel Barton Pine is featured as soloist in lush, Romantic classical works full of gorgeous traditional Scots tunes by Bruch and Mackenzie, interspersed with Celtic-flavored symphonic works.
Rachel Barton Pine serves as soloist and leader, transforming the symphony into a baroque orchestra in this program full of colorful and evocative music.
This program is a classical celebration of the violin’s American folk music roots, traversing the European dance music of early immigrants to its transformation into a uniquely American style thanks to the influence of African-American music-making.
Black musicians have shaped classical music for centuries; this recital honors and recognizes the artists and art forms who have shaped our cultural heritage. Dvorak’s Sonatina is one of his American-flavored works, particularly inspired by the music of African Americans.
Rachel Barton Pine and Jory Vinikour are both renowned for their interpretations of the music of J.S. Bach. They are also lifelong friends. The two musicians enjoy getting together to read sonatas whenever they are in the same city, and in 2018, realized a longtime dream of recording Bach’s six sonatas for violin and keyboard.
This program celebrates the close-knit friendships and musical partnerships among Clara Schumann (1819-1896), Johannes Brahms (1833-1897), Amanda Maier (1853-1894), and Marie Soldat (1863-1955). Brahms performed his own Violin Sonata No. 3 in D minor with both Marie Soldat and Amanda Maier, and made numerous revisions to the score based on Maier’s advice. Clara Schumann was a close musical collaborator and lifelong friend of Brahms.
Windsync’s College & University programs offer many opportunities for students, from participation in Artistic workshops to Engagement and entrepreneurship workshops and seminars.
Students can meet WindSync in an educational, family-friendly show that brings classical music to life with an unforgettable cast of characters. Complete with costumes and choreography, this engaging performance introduces the five wind instruments of the orchestra and concludes with an exciting retelling of Peter and the Wolf by Sergei Prokofiev.
In celebration of the 100th anniversary of Rhapsody in Blue, WindSync offers a wind sextet program connecting George Gershwin and W. A. Mozart, two composers whose experiments pairing piano with winds indelibly changed their careers.
The Shanghai Quartet who are based in China at The Tianjin Juilliard School and who now come to North America for tour periods twice each season are going to be offering a special program celebrating the Lunar New Year between January 24-February 2, 2025.
The Parker Quartet collaborates with leading pianist, composer, and scholar Vijay Iyer. They first worked together as colleagues at Harvard University before taking their collaboration on the road to the Big Ears Festival last season.