Cantus
“exalting finesse and expressive power”
— The Washington Post
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Now in its 28th season, Cantus has come to prominence with its distinctive approach to creating music. Working without a conductor, the members of Cantus rehearse and perform as chamber musicians, each contributing to the entirety of the artistic process, creating programs that give voice to shared human experiences.
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In the 2022-23 season, Cantus will perform Song of the Universal – a program exploring how people across time and geography experience the divine. Experiencing God is not exclusive to the historic or religious. Music, nature, and community can evoke holiness in our homes, spirituality in our surroundings, and the universal in our souls. Weaving together music and spoken word, Cantus touches on faith traditions across cultures, performing works from ancient chant by Hildegard von Bingen to Paul John Rudoi’s “Song of Sky and Sea.” Song of the Universal features a newly commissioned multi-movement work by three emerging composers: Mari Esabel Valverde, Yosvany Estepe Diaz and Mariana Sadovska that reflect on universal themes of humanity’s relationship to the great mystery: Creation, Life, and Afterlife. In Song of the Universal, Cantus offers a program simultaneously transcendent and deeply human.
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Cantus will present their programs Song of the Universal, Alone Together, Christmas with Cantus, and My Journey Yours on tour in seventeen cities throughout the United States this season, including stops in New York, Indiana, Wisconsin, California, Pennsylvania, Iowa, Ohio, Virginia, North Carolina, Alabama, Louisiana, and Massachusetts.
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Cantus records for the UK-based Signum Classics label which has released the popular COVID-19 Sessions and Manifesto, an album of world premiere recordings of works by Ysaÿe Barnwell, David Lang, Sydney Guillaume, Libby Larsen, Sarah Kirkland Snider, and others. In the fall of 2022, Signum releases Into the Light, the first new holiday album from Cantus in over a decade.
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Cantus has a rich history of collaborations with other performing arts organizations, including the Minnesota Orchestra, Saint Paul Chamber Orchestra, the Boston Pops, Chanticleer, Sweet Honey in the Rock, Lorelei Ensemble, Theater Latté Da, and the James Sewell Ballet.
Now entering its 31st season, the “engaging” (The New Yorker) low-voice ensemble Cantus is widely known for its trademark warmth and blend, innovative programming and riveting performances of music ranging from the Renaissance to the 21st century. The Washington Post has hailed the Cantus sound as having both “exalting finesse” and “expressive power” and refers to the “spontaneous grace” of its music making. The Philadelphia Inquirer called the group nothing short of “exquisite.”
As one of the nation’s few full-time vocal ensembles, Cantus has come to prominence with its distinctive approach to creating music. Working without a conductor, the members of Cantus rehearse and perform as chamber musicians, each contributing to the entirety of the artistic process, creating programs that give voice to shared human experiences. As the Star Tribune has written, “The main hallmark of the Cantus sound has always been sheer quality and an unbroken belief in the special way that vocal music has of warming and invigorating the human spirit.”
Cantus enjoys a vigorous schedule of national and international touring, in addition to home concerts in Minneapolis-St. Paul, Minnesota. Cantus has performed at Lincoln Center, Kennedy Center, UCLA, San Francisco Performances, Tanglewood and Bravo! Vail Valley Music Festival. Cantus also makes all of its home concerts available online. This pandemic-prompted innovation has brought the ensemble’s programs to audiences spanning 50 states and sixteen countries.
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Cantus records for the UK-based Signum Classics label which has released the popular COVID-19 Sessions, Manifesto, holiday album Into the Light, Alone Together and, in July 2025, Fields of Wonder. Cantus also has a deep catalog of recordings released on the group’s eponymous label.
Committed to the expansion of the vocal music repertoire, Cantus actively commissions new music and seeks to unearth rarely performed repertoire for low voices. Cantus has received commissioning grants from New Music USA, the National Endowment for the Arts, Chorus America, American Composers Forum and Chamber Music America. In 2023, Cantus was honored with the Alice Parker Fund Award from Chorus America that recognizes the exemplary work of an ensemble that respectfully and authentically presents works incorporating Black and Latinx traditions and experiences. In line with Cantus’ ongoing commitment to fostering new works for tenors, baritones, and basses, the ensemble has partnered with composer and former Cantus bass Timothy C. Takach and Graphite Publishing on the Cantus Choral Series, distributing Cantus’ signature arrangements and compositions for ensembles everywhere to perform and enjoy.
Cantus has a rich history of collaborations with other performing arts organizations, including the Minnesota Orchestra, Saint Paul Chamber Orchestra, the Boston Pops, Chanticleer, the Swingles, the Canadian Brass, Sweet Honey in the Rock, Lorelei Ensemble, Theater Latté Da and the James Sewell Ballet. The ensemble is heard frequently on both classical public radio nationwide and on SiriusXM Satellite Radio.
Integral to the Cantus mission is its commitment to preserve and strengthen music education in schools. Cantus works with more than 5,000 students each year in masterclass and workshop settings across the country and has been in-residence in 31 Minnesota high schools throughout their award-winning program’s 15-year history. The Cantus High School Mentorship program offers Cantus artists in-residence at one Twin Cities-based high school for the entirety of the school year. Cantus has also broadened its work by launching a yearly, statewide festival in partnership with American Choral Directors Association Minnesota catered to high school tenor and bass singers. Additionally, the ensemble hosts an annual Young and Emerging Composers Competition to encourage the creation of new repertoire through cash prizes, a performance, recording, and potential publication of winning composers.
OUR MISSION & VISION
Cantus engages audiences in a meaningful music experience and ensures the future of ensemble singing by mentoring young singers and educators. Cantus was founded on the ideals of collaborative music-making: artists and staff work together to reach new levels of artistic excellence, innovation and audience engagement. Our vision is to give voice to shared human experiences.
July 2025 – Please do not edit without permission.
Videos
Programs & Repertoire
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PROGRAM I – The Road Home
Samuel Ward (arr. Paul John Rudoi): America the Beautiful
John Stafford Smith: The National Anthem
Carlos Cordero: Lejanas Voces
Saunder Choi: Leron, Leron, Sinta
Tania León: La Guitarra, mvt. 3 from Rimas Tropicales
Moises Simons (arr. Yosvany Estepe Diaz): El Manisero
Reena Esmail: TaReKiTa
Chen Yi: Fengyang ge
María Grever (arr. Raul Dominguez): Tipitin
Melissa Dunphy: From N-400 Erasure Songs, II. N-400 (an erasure)
John Denver: That Lonesome Road
*****
J. Rosamond Johnson: Lift Every Voice and Sing
William Steffe: The Battle Hymn of the Republic
Gaby Moreno: Ave Que Emigra
Shabnam Abedi: Manush Dhoro
Sydney Guillaume: Plakatap
Stephen Paulus: The Road Home
Gloria Estefan: Mi TierraIn commemoration of the United States’ Semiquincentennial, Cantus offers The Road Home– a concert program exploring what it means to celebrate a national identity encompassing cultures from around the globe. Alongside our Indigenous peoples, we are a nation of immigrants. The Road Home honors that diversity with captivating music by composers carrying their own immigrant stories. These composers are as wide-ranging and multi-faceted as the music they create, from Saunder Choi and Chen Yi to Gloria Estefan and Gaby Moreno. “A nation’s culture resides within the hearts and in the soul of its people” (M. Gandhi), and there can be no clearer means to express that collective heart and soul than through music.
PROGRAM II – WANTING MEMORIES
Bob Thiele, George David Weiss: What a Wonderful World
Tim Minchin: From Matilda, When I Grow Up
Taylor Swift: Fifteen
Christopher H. Harris: I Would Live in Your Love
A.R. Rahman (arr. Ethan Sperry): Wedding Qawwali
Alan Jay Lerner, Frederick Loewe: From Gigi, I Remember It Well
Stevie Nicks: Landslide
Ysaÿe M. Barnwell: Wanting Memories
*****
Richard Strauss: Traumlicht
Sydney Guillaume: Gagot
Spes (Hope): Mia Makaroff
Rosephanye Powell: When We Sing
Dolly Parton: Light of a Clear Blue Morning
Harold Arlen, E.Y. Harburg: Over the Rainbow
Sammy Fain, Irving Kahal: I’ll Be Seeing YouWhy is it that we can recall the lyrics and melody of a song from our childhood, but we struggle to find our keys in the morning, or find ourselves unable to remember peoples’ names? Time and age can cause organized memories to gradually become a maze of fragments, but music often remains the one thing that helps us to remember who we are. As our memories fade, and life is transfigured for everyone around us, is music the final conduit for our memories, and the final connection to our past? In Wanting Memories, Cantus explores the unique and enduring relationship between music and memory in all of our lives. Through selections that include timeless tunes like "Over the Rainbow" and "What a Wonderful World", and anchored by Ysaÿe M. Barnwell’s "Wanting Memories", this performance traverses the realms of nostalgia and family, loss and love, grief, laughter, fear and hope.
PROGRAM III – CHRISTMAS WITH CANTUS: THREE TALES OF CHRISTMAS
Vince Guaraldi, Lee Mendelson (arr. Jay Giallombardo): From A Charlie Brown Christmas, Christmas Time Is Here
Traditional (arr. Alice Parker and Robert Shaw): O Tannenbaum
eden ahbez: Nature Boy
Paul John Rudoi: How You Are Made
Traditional (arr. Yumiko Matsuoka): Still, Still, Still (newly commissioned)
Chris Foss: Perennial Eternally
Mitchel Grassi, Scott Hoying, Audra Mae: Light in the Hallway
Sam Phillips: Where Is Love Now
Billy Hill: The Glory of Love
*****
Pyotr Tchaikovsky: Excerpts from The NutcrackerOverture and March
Dance of the Sugar-Plum Fairy
Russian Dance
Arabian and Chinese Dance
Dance of the Reed-Flutes
Waltz of the Flowers
Jay Livingston, Ray Evans: Silver Bells
Traditional (arr. Chien Shan-Hua): diu diu dang a
Alan Silvestri: Spirit of the Season
Loreena McKennit: The Bells of Christmas
J.M. Førde: Bruremarsj
Alan Silvestri: BelieveCantus weaves together three holiday stories with time-honored carols and new classics. Blending narration and song, the program features Margery Williams’ “The Velveteen Rabbit” and “The Polar Express” by Chris Van Allsburg alongside an abridged romp through Pyotr Tchaikovsky’s “The Nutcracker”.
Three Tales of Christmas offers an opportunity to reflect on the meaning and joy of the holiday season. Join Cantus for its beloved holiday program that the (Minneapolis) Star Tribune deemed "as joyful a celebration of the season's spirit as any caroling party you're likely to attend this year."
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PROGRAM I – Simple Gifts (Fall 2026)*
Joseph Brackett, arr. Stephen Caracciolo: Simple Gifts
Ko Matsushita: Sakura
Moises Simons, arr. Yosvany Estepe Diaz: El Manisero
Malcolm Dalglish: Little Potato
Isaac Lovdahl: When I Was Just a Boy
Mia Makaroff: Spes
John T. Hocutt, arr. Aaron Humble: A Thankful Heart
Andrea Ramsey: That Which Remains
Stacey Gibbs: New Commission
*****
Margaret Bonds: Moonlight Night (Carmel)
Bobby McFerrin: The Garden
Jennifer Higdon: A Quiet Moment
J. Rosamond Johnson, arr. Rod Kelly Hines: Lift Every Voice and Sing
Sydney Guillaume: Twa Tanbou
Marques L.A. Garrett: My Heart Be Brave
Lorenzo Lyons: Hawaii Aloha
Brent Michael Davids: Zuni Sunrise Song
Jean Sibelius: Finlandia
Robert Lowry, arr. Stephen Caracciolo: How Can I Keep From SingingWhat are you grateful for? It’s a deeply personal question, yet there are undoubtedly overarching themes, like the joy of breathing in fresh air on a hike, savoring a recipe passed down through generations, and cherishing moments spent with those we love.
In Simple Gifts, Cantus weaves together personal stories of gratitude along with beloved tunes including "How Can I Keep From Singing" and "Lift Every Voice and Sing", timeless classics from Jean Sibelius and Jennifer Higdon, and contemporary gems by Bobby McFerrin and Sydney Guillaume.
The result is a poignant and heartfelt program filled with energy and beauty that uplifts, inspires, and reminds us of what we hold most dear.
PROGRAM II – The Road Home (Fall 2026)*
Samuel Ward, arr. Paul John Rudoi: America the Beautiful
Carlos Cordero: Lejanas Voces
arr. Saunder Choi: Leron, Leron, Sinta
Tania León: La Guitarra, mvt. 3 from Rimas Tropicales
Moises Simons, arr. Yosvany Estepe Diaz: El Manisero
Reena Esmail: TaReKiTa
arr. Chen Yi: Fengyang ge
María Grever, arr. Raul Dominguez: Tipitin
Melissa Dunphy: II. N-400 (an erasure), from N-400 Erasure Songs
John Denver, arr. Simon Carrington: That Lonesome Road
*****
Gaby Moreno: Ave Que Emigra
Shabnam Abedi: Manush Dhoro
Sydney Guillaume: Plakatap
Stephen Paulus: The Road Home
Gloria Estefan, arr. Yosvany Estepe Diaz: Mi TierraFollowing the United States’ 250th anniversary, Cantus offers The Road Home – a concert program honoring our diverse American heritage with captivating music by composers carrying their own migration stories. From Saunder Choi and Chen Yi to Gaby Moreno and Gloria Estefan, these artists are as wide-ranging and multi-faceted as the music they create.
“A nation’s culture resides within the hearts and in the soul of its people” (M. Gandhi), and there can be no clearer means to express that collective heart and soul than through music. Join Cantus for The Road Home,an uplifting program filled with pride and passion for our shared American identity.
PROGRAM III – Wanting Memories Encore*
Bob Thiele, George David Weiss: What a Wonderful World
Tim Minchin: From Matilda, When I Grow Up
Christopher H. Harris: I Would Live in Your Love
Alan Jay Lerner, Frederick Loewe: From Gigi, I Remember It Well
Stevie Nicks: Landslide
Ysaÿe M. Barnwell: Wanting Memories
Sydney Guillaume: Gagot
Mia Makaroff: Spes (Hope)
Dolly Parton: Light of a Clear Blue Morning
Traditional Spiritual (arr. Paul John Rudoi): Yonder Come Day
Harold Arlen, E.Y. Harburg: Over the Rainbow
Sammy Fain, Irving Kahal: I’ll Be Seeing YouWhy is it that we can recall the lyrics and melody of a song from our childhood, but we struggle to find our keys in the morning, or find ourselves unable to remember peoples’ names? Time and age can cause organized memories to gradually become a maze of fragments, but music often remains the one thing that helps us to remember who we are. As memory fades, is music the final conduit for our memories and connection to our past?
Back by popular demand is Cantus’ program exploring the unique and enduring relationship between music and memory in our lives. Wanting Memories, through selections that include timeless tunes like "Over the Rainbow" and "What a Wonderful World" and anchored by Ysaÿe M. Barnwell’s "Wanting Memories", traverses the realms of nostalgia and family, loss and love, grief and laughter, fear and hope.
PROGRAM IV – Cantus & Imani Winds: My Ancestors Speak*
Valerie Coleman: Red Clay and Mississippi Delta
Robert Lowry, arr. Stephen Caracciolo: How Can I Keep from Singing?
Gloria Estefan, arr. Yosvany Estepe Diaz: Vocalise 2 (from Wind Horse)
Chen Yi: Feng, Introduction and Rondo
arr. Jeff Scott: Rocking Jerusalem
*****
arr. Jeff Scott: Mr. Banjo
arr. Jeff Scott: Balm in Gilead
arr. Marsha Schweitzer: Ku’u Ipo I Ka He’e Pu’e One
Angélica Negrón: Left (New Commission)
Alex Weiser: My Ancestors Speak (New Commission)
arr. Jacob Christopher: Tritsch-Tratsch PolkaJoin two of today’s most compelling chamber ensembles—Cantus and Imani Winds—for My Ancestors Speak, a powerful joint concert. Through a compelling fusion of story and song, this unique collaboration celebrates the rich, diverse cultural lineages of both ensembles, exploring deeply rooted connections to identity, tradition, and history.
Renowned for their lush, expressive vocals, Cantus blends seamlessly with the bold, genre-defying sound of Imani Winds to present a dynamic program that traverses centuries and continents. Together, they create a musical tapestry that honors the past and reflects our shared human experience.
The concert features two newly commissioned works–My Ancestors Speak by Pulitzer Prize finalist Alex Weiser and Left by 2022 Hermitage Greenfield Prize winner AngélicaNegrón–alongside repertoire that highlights a global array of musical traditions and voices.
PROGRAM V – Christmas with Cantus: Lessons and Carols For Our Time*
Traditional English, arr. Reginald Bowens: I Saw Three Ships
Paul John Rudoi: Last Kind Words
Brandon Spencer: Little Lamb
Marian L. Harrison: Tiny Child
Eric Whitacre: Lux Aurumque
Taku Izumi: Miagete Goran Yoru no Hoshi o
Ariel Ramirez: Los Pastores
Sarah Quartel: Sing, My Child
Traditional Slovenian, arr. Janez Močnik: Ta Stara Bozicna Pejsen
Franz Xaver Gruber, arr. Christopher Harris: Silent Night
*****
Traditional English, arr. Christine Donkin: O Come All Ye Faithful (New Commission)
Kim Andre Arnesen: Even When He Is Silent
Cheryl Camm: Alleluia! Into the Light
Pärt Uusberg: Mis on inimene?
Francisco Grau Vegara, arr. Alberto de la Paz: Mensaje de Paz
Zanaida Robles: Kujichagulia
Sergei Rachmaninoff, arr. Thomas Beveridge: Bogoroditse Devo
Traditional Scottish, arr. Jo Goldsmith-Eteson: Auld Lang Syne (New Commission)
Franz Biebl: Ave MariaChristmas with Cantus: Lessons and Carols for Our Time invites audiences to a rich, contemplative holiday experience that merges tradition with timely resonance. Cantus reimagines the beloved format of Lessons and Carols, exploring themes of hope, peace, and unity through classic carols, music from around the world, and a captivating blend of poetry curated by award-winning author Michael Kleber-Diggs.
Celebrate the season with the timeless beauty of carols such as “Silent Night” and “I Saw Three Ships,” alongside recent works from the bold, fresh voices of composers like Zanaida Robles and Marian L. Harrison. The program unfolds with a dynamic range of emotions and textures, featuring pieces by Rachmaninoff, Ariel Ramirez, and Eric Whitacre, that spark reflections on faith and humanity. At once classic and modern, Lessons and Carols for Our Timeis a heartfelt program that that evokes the spirit of celebration and reflection.
PROGRAM VI – Covers: ABBA’s Greatest Hits*
Mamma Mia
Knowing Me, Knowing You
Take a Chance on Me
Lay All Your Love on Me
Super Trouper
The Winner Takes It All
Money, Money, Money
SOS
Fernando
Voulez-Vous
Gimme! Gimme! Gimme! (A Man After Midnight)
I Have a Dream
Thank You for the Music
Waterloo
Dancing QueenGet ready to dance, sing, and relive the magic of one of the most beloved bands of all time. Covers: ABBA’s Greatest Hits is a vibrant celebration of ABBA’s unforgettable sound and their lasting impact on pop music around the world. From the theatrical drama of “Mamma Mia” to the infectious pulse of “Voulez-Vous,” these iconic hits still sparkle with energy, heart, and that unmistakable ABBA flair. And of course, no celebration would be complete without “Dancing Queen”—the crown jewel of ABBA’s catalog and a song that continues to fill dance floors and hearts across generations.
This electrifying tribute brings bold harmonies and fresh takes to ABBA’s greatest songs, honoring their gift for melody, storytelling, and disco-glam emotion. Whether you're a lifelong fan or discovering the joy for the first time, ABBA’s Greatest Hits is your chance to immerse yourself in a night of hooks, harmonies, and pure musical delight.
PROGRAM VII – Walt Whitman: An American Journey*
Griffin Candey: Come Up From the Fields (New Commission)
Fred Hersch: Song of MyselfDuring the Civil War, American poet Walt Whitman devoted himself to the care of the wounded and dying, offering solace by writing letters to families, reading scripture, bringing fresh fruit, and providing the small comforts that might restore dignity and peace in their final days. Walt Whitman: An American Journey offers a portrait of Whitman not only as a poet but as a witness to human suffering and resilience.
At the heart of this program is the world premiere of “Come Up From the Fields” by Griffin Candey, a work featuring materials from the Library of Congress’ “By the People” project. It will be paired with “Song of Myself” by Fred Hersch reimagined for Cantus and piano. Together, these works reveal the many ways art can respond to trauma, inviting audiences to discover beauty in a time of hardship and to reflect on Whitman’s enduring belief in art’s power to bring light to our darkest moments.
*Program orders and repertoires are subject to change.
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PROGRAM I – Lift Every Voice (Fall 2027)*
Jean Sibelius: Finlandia
Violeta Parra: Arauco tiene una pena
Violeta Parra: Gracias a la vida
Sergio Ortega and Claudio Iturra: Venceremos
Veljo Tormis: Double Dedication
Boriss Rezņiks: Atmostas Baltija
Mart Saar: Leelo
Traditional South African, arr. Jeffrey L. Ames: Tshotsholoza
Traditional South African, arr. Sidumo Nyamezele: Bawo Thixo Somandia
*****
Traditional Spiritual, arr. Stacey Gibbs: Steal Away
Traditional Spiritual, arr. Marques Garrett: Hold On
New Commission TBD
Sam Cooke: A Change Is Gonna Come
Traditional Gospel, arr. Rod Kelly Hines: This Little Light of Mine
J. Rosemund Johnson, arr. Reginald Bowens: Lift Every Voice and Sing
John Lennon and Yoko Ono: Imagine
Robert Lowry, arr. Stephen Caracciolo: How Can I Keep From SingingThroughout history, music has been used as a vehicle to organize, challenge power, and affect societal change. In Lift Every Voice, Cantus celebrates the extraordinary role of song in real-life stories of resistance. From 20th-century examples of singing to overcome oppression in the Baltics, South Africa, and Latin America to the power of collective voices to promote safety, equity, and change during American slavery and the Civil Rights Movement, Lift Every Voice inspires and reminds us of what we can accomplish when we come together in song.
PROGRAM II – Simple Gifts (Fall 2027)*
Joseph Brackett, arr. Stephen Caracciolo: Simple Gifts
Ko Matsushita: Sakura
Moises Simons, arr. Yosvany Estepe Diaz: El Manisero
Malcolm Dalglish: Little Potato
Isaac Lovdahl: When I Was Just a Boy
Mia Makaroff: Spes
John T. Hocutt, arr. Aaron Humble: A Thankful Heart
Andrea Ramsey: That Which Remains
Stacey Gibbs: New Commission
*****
Margaret Bonds: Moonlight Night (Carmel)
Bobby McFerrin: The Garden
Jennifer Higdon: A Quiet Moment
J. Rosamond Johnson, arr. Rod Kelly Hines: Lift Every Voice and Sing
Sydney Guillaume: Twa Tanbou
Marques L.A. Garrett: My Heart Be Brave
Lorenzo Lyons: Hawaii Aloha
Brent Michael Davids: Zuni Sunrise Song
Jean Sibelius: Finlandia
Robert Lowry, arr. Stephen Caracciolo: How Can I Keep From SingingWhat are you grateful for? It’s a deeply personal question, yet there are undoubtedly overarching themes, like the joy of breathing in fresh air on a hike, savoring a recipe passed down through generations, and cherishing moments spent with those we love.
In Simple Gifts, Cantus weaves together personal stories of gratitude along with beloved tunes including "How Can I Keep From Singing" and "Lift Every Voice and Sing", timeless classics from Jean Sibelius and Jennifer Higdon, and contemporary gems by Bobby McFerrin and Sydney Guillaume.The result is a poignant and heartfelt program filled with energy and beauty that uplifts, inspires, and reminds us of what we hold most dear.
PROGRAM III – Three Tales of Christmas*
Walter Kent, arr. Jo Goldsmith-Eteson: I’ll Be Home for Christmas
Joseph Brackett, arr. Stephen Caracciolo: Simple Gifts
Abbie Betinis: The Mirthful Heart
Traditional (Newly Commissioned Arrangement TBD): Soulcake
Sara Bareilles: A Soft Place to Land
Traditional, arr. Alice Parker and Robert Shaw: Vive L’Amour
Traditional Scottish, arr. Kirsten Pagel: The Parting Glass
Paul Williams: Thankful Heart
Chris Foss: Twas the Night Before Christmas
*****
Hugh Martin and Ralph Blane, arr. Stacey Gibbs: Have Yourself a Merry Little Christmas
Traditional, arr. Jacob Christopher: In the Bleak Midwinter
Traditional, arr. Alexander Nishibun: Es ist ein Ros Entsprungen
Randall Thompson: Nowel
Traditional, arr. Alice Parker and Robert Shaw: The Boar’s Head Carol
Traditional, arr. Sofia Söderberg: Noel Nouvelet
Howard Blake: Walking in the Air
Franz Gruber, arr. Christopher Harris: Silent Night
Abbie Betinis: Be Like the Bird
Traditional, arr. Jo Goldsmith-Eteson: Auld Lang SyneCantus weaves together three holiday stories with time-honored carols and new classics. Blending narration and song, the program features Hans Christian-Andersen’s iconic A Little Match Girl alongside the well-known folk tale Stone Soup and Clement Clarke-Moore’s Twas the Night Before Christmas. Three Tales of Christmas offers an opportunity to reflect on the meaning and joy of the holiday season. Join Cantus for its beloved holiday program that the Minnesota Star Tribune deemed "as joyful a celebration of the season's spirit as any caroling party you're likely to attend this year."
*Program orders and repertoires are subject to change.