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Rachel Barton Pine

Striking and charismatic…she demonstrated a bravura technique and soulful musicianship
— The New York Times
 
  • This season, Rachel Barton Pine celebrates the 25th anniversary of her 1997 Cedille Records album of music by Black composers of the 18th & 19th centuries with a new Silver Anniversary Edition updated with her new recording of Florence Price’s Violin Concerto No. 2 (Royal Scottish National Orchestra / Jonathon Hayward).

    Rachel’s recent highlights include premiering Childs: Violin Concerto No. 2 co-commissioned by the Grant Park Music Festival, the Boulder Philharmonic Orchestra, the Anchorage Symphony Orchestra, and the Interlochen Orchestra; recording Jandali: Violin Concerto with the Vienna Symphony & Marin Alsop; and – with 3 1/2 hours notice – stepping in for Midori at Ravinia, to perform Prokofiev’s Violin Concerto No. 1 with the Chicago Symphony Orchestra & Marin Alsop.

  • From July to December 2020, she presented the live, weekly series “Family Fridays with RBP.” From January to June 2021, Pine performed the entire solo violin part of 24 different violin concertos, live and unaccompanied, for her weekly series “24 in 24: Concertos from the Inside with RBP.” Also in 2021, she led “RBP on JSB: the Bach Masterclasses,” joining Sphinx Laureates and other rising-star violinists representing schools including The Curtis Institute of Music, The Juilliard School, New England Conservatory, Oberlin Conservatory, Rice University’s Shephard School of Music, and Yale School of Music to work on Bach’s Six Sonatas and Partitas for Solo Violin. She also gave virtual masterclasses for organizations, including the Chicago Youth Symphony, National Orchestral Institute, and Oberlin Conservatory of Music.

  • She has premiered concertos written for her by Fairouz, Goddard, and Maneein. This season, she premieres “Violin Concerto No. 2,” written for her by Billy Childs through a co-commission by the Grant Park Music Festival, the Boulder Philharmonic Orchestra, the Anchorage Symphony Orchestra, and the Interlochen Orchestra.

  • An active philanthropist, Pine has led the Rachel Barton Pine (RBP) Foundation since 2001. Early in her career, she noticed that young people learning classical music seldom have the opportunity to study and perform music written by Black composers. Over the last 20 years, Pine and her RBP Foundation’s Music by Black Composers (MBC) project have collected more than 900 works by 450+ Black composers from the 18th–21st centuries. MBC curates free repertoire directories on its website and publishes print resources, including pedagogical books of music exclusively by global Black classical composers and the Rachel Barton Pine Foundation Coloring Book of Black Composers. Additionally, the RBP Foundation assists young artists through its Instrument Loan Program and Grants for Education and Career. Pine also serves on the board of the Sphinx Organization and other not-for-profits.

Heralded as a leading interpreter of the great classical masterworks, American concert violinist Rachel Barton Pine thrills international audiences with her dazzling technique, lustrous tone, and emotional honesty. With an infectious joy in music-making and a passion for connecting historical research to performance, Pine transforms audiences’ experiences of classical music.

Pine performs with the world's leading orchestras including the Philadelphia Orchestra, the Royal Philharmonic Orchestra, Camerata Salzburg, and the Chicago, Vienna, and Detroit Symphony Orchestras. She has worked with renowned conductors, including Teddy Abrams, Marin Alsop, Semyon Bychkov, Neeme Järvi, Erich Leinsdorf, Nicholas McGegan, Zubin Mehta, Tito Muñoz, and John Nelson.

In September 2022, Cedille Records released Violin Concertos by Black Composers Through the Centuries: 25th anniversary edition which features Pine’s new recording of Price: Violin Concerto No. 2 with the Royal Scottish National Orchestra and Jonathon Heyward, and reprisals of her 1997 recordings of masterworks by Joseph Bologne, Chevalier de Saint-Georges (1775), José White Lafitte (1864), and Samuel Coleridge-Taylor (1899). In March 2023, Pine’s performance of Jandali: Violin Concerto No. 2, recorded with the Vienna Symphony Orchestra and Marin Alsop, will be released on an album of Jandali concertos.

  • This season Pine joins composer Jessie Montgomery for a Chicago Symphony Orchestra MusicNOW performance of a work written for Pine. Her solo appearances include engagements with the Berkeley Symphony, the Chicago Sinfonietta, and the Grand Rapids Symphony. She also performs for LMMC Concerts in Montréal and with harpsichordist Jory Vinikour at Milwaukee’s Early Music Now. Additionally, she appears on the Purdue University Northwest Sinai Forum series, which also presents other respected names such as Elizabeth Gilbert and General David Petraeus.

    Pine frequently performs music by contemporary composers, including major works written for her by Billy Childs, Mohammed Fairouz, Marcus Goddard, Earl Maneein, Shawn E. Okpebholo, Daniel Bernard Roumain, José Serebrier, and Augusta Read Thomas. In addition to her career as a soloist, she is an avid performer of baroque, renaissance, and medieval music on baroque violin, viola d’amore, renaissance violin, and rebec.

    In addition to her regularly scheduled performances, Pine has subbed in for her fellow soloists for a number of incredible concerts. Most notably, in 2021, with just 3 1/2 hours’ notice, Pine performed Prokofiev’s Violin Concerto No. 1 at Ravinia with the Chicago Symphony Orchestra and Marin Alsop in place of Midori.

    She has appeared on The Today Show, CBS Sunday Morning, PBS NewsHour, Prairie Home Companion, NPR’s Tiny Desk, NPR’s All Things Considered, and Performance Today, and in the Wall Street Journal and the New York Times. She holds prizes from several of the world’s leading competitions, including a gold medal at the 1992 J.S. Bach International Violin Competition.

    She writes her own cadenzas and performs many of her own arrangements. With the publication of The Rachel Barton Pine Collection, she became the only living artist and first woman in Carl Fischer’s Masters Collection. During the pandemic, she performed the entire solo violin part of 24 different violin concertos, live and unaccompanied, for her weekly series “24 in 24: Concertos from the Inside.”

    Pine’s discography of 40 recordings includes Dvořák and Khachaturian Violin Concertos (Teddy Abrams and the Royal Scottish National Orchestra); Brahms and Joachim Violin Concertos (Carlos Kalmar and the Chicago Symphony Orchestra), and Elgar and Bruch Violin Concertos (Andrew Litton and the BBC Symphony Orchestra). Pine and Sir Neville Marriner’s Mozart: Complete Violin Concertos with the Academy of St Martin in the Fields and her Bel Canto Paganini both charted at number three on the classical charts. Pine’s Testament: Complete Sonatas and Partitas for Solo Violin by Johann Sebastian Bach and Violin Lullabies debuted at number one. Her recent Blues Dialogues is an album of blues-influenced classical works by 20th- and 21st-century Black composers.

    An active philanthropist, Pine has led the Rachel Barton Pine (RBP) Foundation for over two decades. Early in her career, she noticed that young people learning classical music seldom have the opportunity to study and perform music written by Black composers. Since 2001, Pine and her RBP Foundation’s Music by Black Composers (MBC) project have collected more than 900 works by 450+ Black composers from the 18th–21st centuries. MBC curates free repertoire directories on its website and publishes print resources, including pedagogical books of music exclusively by global Black classical composers and the Rachel Barton Pine Foundation Coloring Book of Black Composers. Additionally, the RBP Foundation assists young artists through its Instrument Loan Program and Grants for Education and Career. Pine also serves on the board of the Sphinx Organization and other not-for-profits.

    She performs on the “ex-Bazzini, ex-Soldat” Joseph Guarnerius “del Gesù” (Cremona 1742), on lifetime loan from her anonymous patron.

Videos

 

Programs & Repertoire

Recitals

  • This program celebrates the close-knit friendships and musical partnerships among Clara Schumann (1819-1896), Johannes Brahms (1833-1897), Amanda Maier (1853-1894), and Marie Soldat (1863-1955). Brahms performed his own Violin Sonata No. 3 in D minor with both Marie Soldat and Amanda Maier, and made numerous revisions to the score based on Maier’s advice. Clara Schumann was a close musical collaborator and lifelong friend of Brahms. The violin on which Pine performs, the “ex-Bazzini ex-Soldat” 1742 Guarneri del Gesu, was chosen by Brahms for Soldat, his protégé and one of the greatest violinists of her day. Beyond her instrument, this music is very close to Pine’s heart because her teacher in Berlin, Werner Scholz, was a student of a student of Joseph Joachim, Brahms’s best friend and collaborator and the teacher of Soldat.

    Read a recent review of this program from The Strad.

    Brahms: Violin Sonata No. 1 in G major, Op. 78
    Amanda Maier: Violin Sonata in B minor
    *****
    Clara Schumann: The Three Romances for Violin and Piano, Op. 22
    Brahms: Violin Sonata No. 3 in D minor, Op. 108

  • Rachel Barton Pine and Jory Vinikour are both renowned for their interpretations of the music of J.S. Bach. They are also lifelong friends. The two musicians enjoy getting together to read sonatas whenever they are in the same city, and in 2018, realized a longtime dream of recording Bach’s six sonatas for violin and keyboard. Their subsequent touring led to their exploration of more recent works for their instrumental combination. In this program, they compliment the baroque sonatas with three of their favorites from the 20th century.

    The Schnittke is a fun and clever deconstruction of baroque-style dances. Hailstork, born in 1941, is one of the most important African-American composers of his generation. His joyful suite also pays homage to baroque style while infusing his own unique language. Adler is a distinguished and prolific composer who studied with Piston, Thompson and Copland; his music has an appealing Americana flavor.

    Schnittke: Suite in the Old Style
    Bach: Sonata No. 4 in C minor
    Ligeti: solo harpsichord works
    *****
    Adolphus Hailstork: Baroque Suite
    Samuel Adler: Sonata No. 2
    Handel: Sonata in D major, Op. 1, No. 13, HWV 371

  • Black musicians have shaped classical music for centuries; this recital honors and recognizes the artists and art forms who have shaped our cultural heritage. Dvorak’s Sonatina is one of his American-flavored works, particularly inspired by the music of African Americans. Beethoven’s Sonata No. 9 was written for and premiered by the Black European virtuoso violinist George Bridgetower. Still and White’s works are important jazz-inspired masterpieces of the 20th century. Written for Pine, Childs’s Incident on Larpenteur Avenue, is a single-movement violin sonata/tone poem written as a response to the killing of Philando Castille by police.

    Antonin Dvořák: Sonatina in G major, Op. 100
    Beethoven: Sonata No. 9 in A major Op. 47, “The Bridgetower Sonata
    *****
    Dolores White: Blues Dialogues
    William Grant Still: Here’s One
    Billy Childs: Incident on Larpenteur Avenue
    William Grant Still: Suite

  • This program is a classical celebration of the violin’s American folk music roots, traversing the European dance music of early immigrants to its transformation into a uniquely American style thanks to the influence of African-American music-making.

    Solo Violin
    Bach: Partita No. 3 in E major, BWV 1006
    Scottish traditional: Air-March-Strathspey-Reel
    Noel da Costa: A Set of Dance Tunes
    Mark O’Connor: Caprice No. 1
    *****
    Darol Anger: Rag from American Partita No. 1
    Bruce Molsky: Waltz from American Partita No. 1
    David Wallace: John, Son of Zebedee from Personas
    Coleridge-Taylor: Deep River, arr. Maud Powell
    Perkinson: Louisiana Blues Strut (A Cakewalk)
    Daniel Bernard Roumain: Hip-Hop Dance I
    Vieuxtemps: Souvenir d’Amérique

    Violin and Piano
    David Baker: Blues (Deliver My Soul)
    Dvořák: Violin Sonatina in G major, Op. 100
    Florence Price: The Deserted Garden
    Clarence Cameron White: Levee Dance, Op. 26, No. 2
    William Grant Still: Suite for Violin and Piano
    *****
    Percy Grainger: Molly on the Shore
    Mark O’Connor: Strings and Threads Suite
    Harry Burleigh: Southland Sketches (movement I)
    Vieuxtemps: Souvenir d’Amérique
    Libby Larsen: Blue Piece
    Ravel: Sonata (movements II and III)

    Listen to the violin & piano program

 

Concertos

  • Rachel’s Music By Black Composers project places Black classical composers and much of their previously overlooked music into today’s cultural consciousness. Since 2001 Rachel and her RBP Foundation have connected with ethnomusicologists and researchers from around the world to find and publish works by Black composers, ultimately collecting more than 900 works by 450+ Black composers from the 18th -21st Centuries.

    Please visit Music by Black Composers for information about each work’s length and instrumentation, links to recordings, programming suggestions, and information about where to obtain the music.

    * indicates that the work was written for and/or dedicated to Rachel Barton Pine

    Joseph Bologne (Chevalier de Saint-Georges):
    Violin Concerto Op. 5 No. 2 in A major (c. 1775), others

    *Billy Childs:
    Violin Concerto No. 2 “Romance/Rejoice, Remorse, Resilience” (2020)

    Samuel Coleridge-Taylor:
    Violin Concerto in G minor, Op 80 (1911)
    Romance in G major, Op. 39 (1899)

    Roque Cordero:
    Violin Concerto (1962)

    Wynton Marsalis:
    Violin Concerto in D major (2016)

    Florence Price:
    Violin Concerto No. 2 (1952)

    Daniel Bernard Roumain:
    Voodoo Concerto (2002)

    William Grant Still:
    Suite (1943)

    George Walker:
    Poeme (1991)

    Jose White:
    Violin Concerto in F-sharp minor (1864)

  • Please contact us for scores and demo recordings for the Bodorová, Chesky, Childs, Fairouz, Goddard, Jandali, and Maneein.

    * indicates that the work was written for and/or dedicated to Rachel Barton Pine

    Sylvie Bodorová:
    Concerto dei fiori

    David Chesky:
    Violin Concerto No. 3, “The Klezmer Concerto”

    *Billy Childs:
    Violin Concerto No. 2 “Romance/Rejoice, Remorse, Resilience” (2020)

    John Corigliano:
    Violin Concerto, “The Red Violin” (2003)
    The Red Violin Chaconne (1997)

    *Mohammed Fairouz:
    Violin Concerto, “Al-Andalus” (2014)

    *Marcus Goddard:
    Violin Concerto (2018)

    Malek Jandali:
    Violin Concerto (2018)

    *Earl Maneein:
    Violin Concerto, “Dependent Arising” (2017/2022)

    Wynton Marsalis:
    Violin Concerto (2015)

    Mark O’Connor:
    Fiddle Concerto (1993)
    Strings and Threads Suite (1986)

    Arvo Pärt:
    Fratres (1977)

    Daniel Bernard Roumain:
    Voodoo Concerto (2006)

  • Please visit this playlist to listen to the works in this list that Ms. Pine has recorded.

    Franz Clement:
    Violin Concerto in D major (1805) - in playlist

    Samuel Coleridge-Taylor:
    Violin Concerto in G minor, Op. 80 (1911)
    Romance in G major, Op. 39 (1899) - in playlist

    Joseph Joachim:
    Violin Concerto in D Minor, No. 2, Op. 11, "Hungarian" (1857) - in playlist

    Alexander Mackenzie:
    Pibroch Suite, Op. 42 (1889) - in playlist

    Amanda Maier:
    Violin Concerto in D minor (1875)

    John McEwen:
    Prince Charlie Rhapsody (1924) - in playlist

    Xavier Montsalvatge:
    Poema Concertante - in playlist

    Jose White:
    Violin Concerto (1864) - in playlist

  • Johann Sebastian Bach:
    Violin Concerto in A minor, BWV 1041
    Violin Concerto in E major, BWV 1042
    Violin Concerto in G major, BWV 592
    Double Violin Concerto in D minor, BWV 1043
    Concerto for Oboe and Violin in C minor, BWV 1060
    Brandenburg Concerto No. 1 in F major, BWV 1046
    Brandenburg Concerto No. 2 in F major, BWV 1047
    Brandenburg Concerto No. 3 in G major, BWV 1048
    Brandenburg Concerto No. 4 in G major, BWV 1049
    Brandenburg Concerto No. 5 in D major, BWV 1050

    Samuel Barber:
    Violin Concerto, Op. 14

    Béla Bartók:
    Violin Concerto No. 1
    Violin Concerto No. 2
    Rhapsody No. 1
    Rhapsody No. 2

    Ludwig van Beethoven:
    Violin Concerto in D major, Op. 61
    Triple Concerto in C major, Op. 56
    Romance No. 1 in G major, Op. 40
    Romance No. 2 in F major, Op. 50

    Alban Berg:
    Violin Concerto

    Leonard Bernstein:
    Serenade (after Plato's Symposium)

    Johannes Brahms:
    Violin Concerto in D major, Op. 77
    Double Concerto for Violin and Cello in A minor, Op. 102

    Benjamin Britten:
    Violin Concerto, Op. 15
    Double Concerto for Violin and Viola in B minor

    Max Bruch:
    Scottish Fantasy in E-flat major, Op. 46
    Violin Concerto No. 1 in G minor, Op. 26
    Violin Concerto No. 2 in D minor, Op. 44

    Ernst Chausson:
    Poème, Op. 25

    John Corigliano:
    Violin Concerto, “The Red Violin”
    The Red Violin Chaconne

    Antonín Dvořák:
    Violin Concerto in A minor, Op. 53

    Edward Elgar:
    Violin Concerto in B minor, Op. 61

    Alexander Glazunov:
    Violin Concerto in A minor, Op. 82
    Meditation, Op. 32

    Franz Joseph Haydn:
    Violin Concerto in C major, Hob.VIIa:1
    Violin Concerto No. 4 in G major (Hob. VIIa/4)

    Aram Khachaturian:
    Violin Concerto in D minor

    Erich Wolfgang Korngold:
    Violin Concerto in D major, Op. 35

    Édouard Lalo:
    Symphonie espagnole in D minor, Op. 21

    Pietro Antonio Locatelli:
    Violin Concerto in B-flat major, No. 7, Op. 3
    Violin Concerto in D major, No. 12, Op. 3, “The Harmonic Labyrinth”

    Felix Mendelssohn:
    Violin Concerto in E minor, Op. 64

    Wolfgang Amadeus Mozart:
    Sinfonia Concertante in E-flat major, K. 364/320d
    Violin Concerto No. 1 in B-flat major, K. 207
    Violin Concerto No. 2 in D major, K. 211
    Violin Concerto No. 3 in G major, K. 216
    Violin Concerto No. 4 in D major, K. 218
    Violin Concerto No. 5 in A major, K. 219
    Rondo in C for Violin and Orchestra, K. 373
    Adagio in E major for Violin and Orchestra, K. 261

    Carl Nielsen:
    Violin Concerto, Op. 33

    Niccolò Paganini:
    Violin Concerto No. 1 in D Major, Op. 6
    Violin Concerto No. 2 in B minor, Op. 7
    Le Streghe, Op. 8
    And many other pieces

    Arvo Pärt:
    Fratres

    Sergei Prokofiev:
    Violin Concerto No. 1 in D major, Op. 19
    Violin Concerto No. 2 in G minor, Op. 63

    Maurice Ravel:
    Tzigane

    Camille Saint-Saëns:
    Violin Concerto No. 3 in B minor, Op. 61
    Introduction and Rondo Capriccioso, Op. 28

    Pablo Sarasate:
    Carmen Fantasy, Op. 25
    Zigeunerweisen in C Minor, Op. 20
    And many other pieces

    Franz Schubert:
    Rondo in A major for Violin and Strings, D. 438
    Polonaise in B-flat major, D. 580

    Robert Schumann:
    Violin Concerto in D minor, WoO 23

    Dmitri Shostakovich:
    Violin Concerto No. 1 in A minor, Op. 77

    Jean Sibelius:
    Violin Concerto in D minor, Op. 47

    Igor Stravinsky:
    Violin Concerto in D major

    Karol Szymanowski:
    Violin Concerto No. 1, Op. 35

    Pyotr Tchaikovsky:
    Violin Concerto in D major, Op. 35

    Vaughan Williams:
    The Lark Ascending

    Henri Vieuxtemps:
    Violin Concerto No. 4 in D minor, Op. 31
    Violin Concerto No. 5 in A minor, Op. 37

    Antonio Vivaldi:
    The Four Seasons
    And many other concertos for violin & orchestra
    Complete concertos for viola d’amore

    William Walton:
    Violin Concerto

    Franz Waxman:
    Carmen Fantasie

    Henryk Wieniawski:
    Violin Concerto No. 1 in F-sharp minor, Op. 14
    Violin Concerto No. 2 in D minor, Op. 22
    Scherzo-Tarantelle, Op. 16
    Polonaise in D, Op. 4
    Polonaise in A, Op. 21
    And many other pieces

    John Williams:
    Theme from Schindler’s List

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